Street photography with the Canon Sure Shot AF-7Īs I shoot street photography, I like a camera that doesn’t get in my way as I try to capture scenes that are here now but won’t be a second later.Ī big part of that comes from getting used to whatever camera you have, and I’m happy to say doing that was easy with the AF-7. One is a self-timer while the other winds back the film before you’ve finished it, should you want to do that.Įverything you need to know about operating the Sure Shot can be found in the manual here. There are two more buttons on top of the camera. The default flash setting is automatic with red-eye reduction but it can be forced to fire or forced not to with the two buttons on the front of the camera. Once you have your film on the spool and have closed the back, an auto-advance feature will wind it straight to exposure number one. Loading film is easy, with a release button on the side of the camera to open it. All you need is a couple of AAs and you’re set for 47 rolls of 24 exposure film (according to Canon, but really who is going to check?) There are no esoteric, expensive, long-obsolete Canon Sure Shot batteries to worry about. If this was to happen, and it did happen, the cameras would have to be easy to operate. The whole line of Canon Sure Shot cameras – which ran from 1979 to 2005 and was known as Autoboy in Japan – was designed to give the company a meaty slice of the consumer camera market. How to use this Canon Sure Shot film camera ![]() That’s how the Sure Shot AF-7 viewfinder works, the same way as on countless other basic film cameras. When you look through a telescope the wrong way, you see things as they are, just a lot smaller. The viewfinder – which is huge – is a simple reverse Galilean type, which is a fancy name for a simple idea. There’s a 3-step autofocus system – hence the AF in the name – and a minimum shooting distance of 2.6 feet, or 0.8 metres. As you may expect from a point and shoot camera of its time, it’s a triplet lens, meaning it has just the three glass elements.Īccording to the manual, only ISO 100, 200, or 400 DX-coded film should be loaded into the Sure Shot, which will then automatically set the shutter speed accordingly between 1/45 and 1/180. The Canon Sure Shot Owl / Prima / AF-7 has a 35mm lens with a maximum aperture of f4.5, and a minimum of f11. In Europe, the model was helpfully named the Prima AF-8.Ĭanon Sure Shot Owl / Prima / AF-7 technical specs The name stayed the same, which didn’t help alleviate that confusion, although these models can be identified by the control dial added to the front. In 1997, Canon released the next version of the Owl. Underneath, the cameras are all the same. The names seem interchangeable and can be confusing, but they’re really immaterial. Known as the Canon Sure Shot Owl in the US and the Canon Prima AF-7 in continental Europe, I’m presuming my plain old Sure Shot AF-7 was a UK release. The Canon Sure Shot AF-7 was released in 1994 under a number of different aliases. ![]()
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